A photographic tripod normally has an extendable center column for extra height from a more compact closed length and single telescopic leg tubes (as opposed to the double parallel tubes of a video tripod). Our range of photographic tripods is split between RAPID COLUMN models like the classic, versatile 055 and 190 series (a.k.a. 3001, 3205, 3011, 3021, 3221 in the U.S.A.) in aluminum or carbon fiber + magnesium; the DIGI family of tripods for "point-and-shoot" cameras; the innovative NEOTEC leverless tripod; and a number of heavy-duty, professional studio GEARED COLUMN tripods including the 058 (3251) TriAut, the 475 and the 161mk2, with a load capacity of 20kg (44lbs).

Traditionally, video tripods have double leg tubes which, though thin, give the tripod more structural resistance to twisting and torsion - vital when using heavy videocameras with pan and tilt heads: without this extra reinforcement, every pan movement risks bringing unwanted juddering and shake into your film. We offer a range of double-tube tripods for video equipment up to full ENG, but for the new generation of ever-shrinking MiniDV and MicroDV cameras which are light enough not to require an over-performing tripod we have developed the MDeVe family of hybrid photo/video tripods, which have the lighter, more compact single leg tube structure of the photo tripod combined with the levelling half-ball of the video support, allowing perfectly horizontal pans.

Tower stands (also known as Studio- or Column Stands) offer studio photographers rock solid support for photo equipment of all formats up to the largest view or field cameras. The basic design is that of a tall (up to 280cm) column mounted on a very sturdy, solid T base (allowing it to get close up to still life tables and sets), with a horizontal cross arm adjustable in height and reach. The camera head(s) and camera(s) itself are fixed to the cross arm; by putting them off-centre in this manner, it's easier to get in behind the camera to check framing and composition, and there's less chance than with a tripod of knocking it off-position when moving around the studio or set. 

The handle-driven gear and tooth mechanism and the secure anti-rollback system on the centre column of these tripods makes them more suitable for heavier camera equipment. At the same time, they are more precise in height adjustments, so are good for still life and studio work, or even (if you have good strong arms) outdoor macro photography where framing fine-tuning is critical.

With a simple lock/unlock mechanism on the centre column, rapid column tripods are faster and easier to adjust in height than their counterparts. The column can also often be inverted for ground-level macros or even set horizontally to get the camera out from above the tripod legs.

What better exemplifies a truly "special photo tripod" than the 458B NEOTEC - the first professional tripod that opens, repositions and closes in under 5 seconds, without levers or screws? Here you'll also find the tiny, pocket-sized table top tripods that make sure you're never stuck without a solid support for your camera.

The handle-driven gear and tooth mechanism and the secure anti-rollback system on the centre column of these tripods makes them ideal for heavier camera equipment. Unlike classic video tripods without center columns, they allow easy height adjustment. Can easily be used for photo applications too.

The world's fastest video tripod family, the 542ART carbon fiber and 532ART aluminum models can be opened or closed in under 4 seconds, without buttons, levers or knobs... ideal for all time-critical situations from weddings to war zones! Speed has not been achieved at the cost of strength - these tripods are as stable, durable and reliable as standard video kit.

video tripods designed to carry industry-standard 100mm half-ball fluid heads. The ball and socket fitting allows the head to be levelled independently of the tripod for faster, more accurate adjustment and more consistent pan movements.

video tripods designed to carry industry-standard 75mm half-ball fluid heads. The ball and socket fitting allows the head to be levelled independently of the tripod for faster, more accurate adjustment and more consistent pan movements.

separate locking controls and rotational movement on each axis - panoramic, front tilt and side tilt, allowing precise framing adjustment.

a ball and socket joint allows movement on all axes at the same time with a single locking mechanism, ideal for faster framing changes. Some heads in our range have double 90° grooves for portrait-landscape orientation on either side of the head. Friction can be applied to larger ball heads to help balance heavier cameras.

panoramic, or QTVR®, heads are used to create single-row cylindrical or multi-row spherical composite photographic images for immersive virtual environments or simply for long (or tall) panorama prints. By positioning the camera's nodal point over the tripod and head's center of rotation, resulting images are much more accurately aligned and easier to stitch together in post production. image credit: http://www.arnaudfrichphoto.com/

the ultimate in precision, geared heads use a tooth and cog mechanism on each axis of rotation to allow extra-fine control over framing adjustment. Because they don't require locking off or unlocking between movements, they are especially convenient and secure supports for with heavy photographic equipment.

for use with photographic-type tripods and the MDeVe series, or with halfball-type video tripods using a special adapter.

heads using industry standard 100mm half-ball mount to video tripod. The half ball system allows for levelling of the head independent of the tripod - essential for panning that doesn't induce sea-sickness in the viewer!

the smaller 75mm industry standard half-ball video tripod fitting is used on smaller heads for a more compact support for today's lighter professional camcorders

Tripod + Head (+ Bag) combinations for video applications. Video kits are specially put together to ensure compatibility between components based on size, weight, load capacity and usage, so take some of the uncertainty out of trying to match up different pieces of equipment.

Tripod + Head (+ occasionally Bag/Strap) combinations for photo and sport optics / birdwatching applications. Kits are specially put together to ensure compatibility between components based on size, weight, load capacity and field of application, so take some of the uncertainty out of trying to match up different pieces of equipment.

video kits based around tripods with 100mm half-bowl head fittings.

video kits based around tripods with 75mm half-bowl head fittings.

Everything you can't find elsewhere is in here: bags and straps, mid level and ground-level tripod spreaders, dollies, arms and brackets and more besides...

Quick release camera-to-head plates, plate assemblies, sliding plates and other adapters primarily for video applications or for use with long lenses and sport optics.

photographic quick release camera-to-head plates, plate adapters and accessories.

We agree... this is a strangely hidden place to find something as useful as our monopod range. Monopods are ideal travel and outdoor companions, taking up little space yet giving invaluable support and better results than hand-held hooting. Favoured also by sports photographers using long, heavy lenses but needing lightning fast reactions and repositioning.

our recently-introduced range of video camera remote control units are either pan-bar or clamp mounted and put the most important commands of the camcorder at your fingertips when using tripods, monopods, the Fig Rig or other support equipment

extra camera plates, mounts, counterweights, arm extensions, accessory trays and other useful add-ons for photographic studio & column stands.

the "steering wheel" 595B Fig Rig video camera support is backed up by a range of accessories